• Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’ Sam and the Whomp Music Video
surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’

    facepaint,

    Sam and the Whomp Music Video

    surreal animal faces for the dancers and the beautiful Bloem for Sam and the Whomps’ forthcoming music video ‘Zeppelin’

  • Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates Dazzle Ship Boy
Airbrush body paint based on HMS President Dazzle Ship
Model: David Moates

    bodypaint,

    Dazzle Ship Boy

    Airbrush body paint based on HMS President Dazzle Ship

    Model: David Moates

  • Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

Diesel Body Paint
To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.
Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

    bodypaint,

    Diesel Body Paint

    To celebrate nicola formichetti’s launch with Diesel Denim at Selfridges. I was asked to come up with four body painting concepts based on Nick Knights Diesel Ad campaign.

    Myself and Juliet eve Airbrushed 4 models, who were installed in the Selfriges store space for this exclusive party. 

  • Face & arm Painting
kids and adults alike enjoy some arm and eye designs to match their outfits.
Working on behalf of  http://brierleythorpe.com/

    facepaint,

    Face & arm Painting

    kids and adults alike enjoy some arm and eye designs to match their outfits.

    Working on behalf of  http://brierleythorpe.com/

  • Surreal theme make up
for a private party in the Marvellous estate of aynhoe park

    makeup,

    Surreal theme make up

    for a private party in the Marvellous estate of aynhoe park

  • The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me The Line - behind the scenes
BFI film Short Directed by Faye Gilbert
Hair, Makeup, Special FX, Body paint by me
Photo stills by me

    makeup, video,

    The Line - behind the scenes

    BFI film Short Directed by Faye Gilbert

    Hair, Makeup, Special FX, Body paint by me

    Photo stills by me

  • video,

    'The Line' BFI film Director Faye Gilbert

    A teenage girl and young boy run for their lives to cross ‘The Line’, but are they running away from danger or towards it? 

    Writer/Director: Faye Gilbert 
    Producer: Yaw A. Basoah

    Makeup : ME!

    Cast: Oscar Sanders, Laya Lewis

    Production Designer: Carly Reddin

    DOP: Laura Bellingham

    Costume:Gabrielle de Gersigny

    *OFFICIAL SELECTION PALM SPRINGS INTERNATIONAL SHORTFEST 2014

    Hair, Makeup, tattoos and Special FX by me

  • Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Pan Reposed

An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.

    makeup,

    Pan Reposed

    An artist collaboration between myself Christopher Kelly and Jennifer Pattison, Featuring Simon Costin as Pan in his home 

    A figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.

    This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.

    Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.

  • Pan ReposedA figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Words and PhotographyJennifer Pattison

Pan ReposedA figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Words and PhotographyJennifer Pattison

Pan ReposedA figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.
This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.
Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.
Words and PhotographyJennifer Pattison

    press,

    Pan ReposedA figure sits in the gloaming. Simon Costin as Pan is motionless, wearing his weighty tapestry coat adorned with shiny horn buttons. His shoe gapes across his shrunken left hoof, his horns have withered away. The air is warm and full of dust. Pan contemplates his youthful former self, remembering roaming barefoot in the hot wilderness, frightening sheep and spreading panic across the mountains. Thousands of years have passed as he waits patiently for his portrait to be taken.

    This series of images is the result of a collaboration between myself, Simon Costin [Artistic Director and Director of The Museum of British Folklore], Christopher Kelly and make-up artist Natalie Sharp. Simon Costin commissioned Christopher Kelly to design a costume, inspired by the god Pan from Greek Mythology, for him to wear whilst taking part in the annual spring festival Jack in the Green, Hastings.

    Pan was re-imagined as an eternal recluse about to turn to stone. Photographed against the museum-like interior of his home, this was a rare occasion for Simon Costin to feature as part of the creation, rather than a force behind it. One of the portraits from this series has been shortlisted for the Royal Photographic Society International Print Competition 157.

    Words and Photography
    Jennifer Pattison

  • the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer the Ancient Ship of Fools
my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  
Model - Chris Bauer

    featured, bodypaint,

    the Ancient Ship of Fools

    my love of tattoos, Baroque, Duncan X and medieval stories displayed here as a map of the British Isles. For Paintopia - the Face and Body painting festival. included are works in progress and research.  

    Model - Chris Bauer

  • video,

    Music video Monte Carlo Fire

    Director: Simone Pellegrini

    Ass Dir: Viviana berti

    Edit: Giorgio Gremigni

    Dop: Simone Pellegrini

    Lighting: Viviana Berti

    MakeUp: Natalie Sharp

    Cast: Elina Alminas Darragh Kelliher Liam Haynes Montecarlo Fire,

  • Under the Influence Magazine
Article by me on the theme of ‘Power’
Photography by Jon Baker
thanks to Nazanin @Subject 
Hair by Anthony Dunn @ Tommy Guns Shoreditch

    press,

    Under the Influence Magazine

    Article by me on the theme of ‘Power’

    Photography by Jon Baker

    thanks to Nazanin @Subject 

    Hair by Anthony Dunn @ Tommy Guns Shoreditch

  • maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia
maskoff:

Music video Stills
stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia

    maskoff:

    Music video Stills

    stills shot by vivianaperetti hair and makeup by myself and patrycja grimm with maxine anastasia

  • Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia Music video Stills
stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia

    makeup,

    Music video Stills

    stills shot by vivianaberti hair and makeup by myself and patrycja grimm with maxine anastasia

  • record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here  record store day
my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here 

    facepaint, rsd14, featured,

    record store day

    my face vinyl homage to record store day caused quite a stir. the response has been overwhelming. after the Quietus published these they went viral! read more about it here 

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